Books Epub Secret Knowledge Rediscovering the Lost Techniues of the Old Masters ´ David Hockney – freewebdesing.com
Books Epub Secret Knowledge Rediscovering the Lost Techniues of the Old Masters ´ David Hockney – freewebdesing.com
Researched and written by British artist David Hockney this is a compelling book which explores the how of ainting historically Hockney s thesis is that artists How to Stop Living Paycheck to Paycheck particularly those working in the Dutch and Flemish heyday like Van Eyck or Rembrandt were aided by lenses optics and mirrors to help them craft realistic artworks In this visual essay Hockneyroposes that these high tech methods date back hundreds of years further back than the common conception among art historians The book reads as if you stumbled into a college lecture and witnessed an incredibly moving account of history by a Baroque Rococo person so enthralled by a topic that you couldn t help but feel enthralled tooRecommended for art history and museum going nerds If you are at all interested in looking ataintings this book is THE MUST It will totally change your outlook The crucial book on Crooked House painting This handsomeublication sets down for the record David Hockney s long and detailed exploration of the techniues and technologies that may have been used by the great masters of European Adaptation (Genus: Unknown, painting He concentrates on the 500 yeareriod from the beginning of the fifteenth century to the end of the nineteenth century In the Elysian Fields (Sentinels of New Orleans, process one is led to a complete re evaluation and re appreciation of their workThe journey was not simple or straightforward It began with a close examination of Ingres and a uestioning of the techniues used for certain ualities found in his work Hockney suspected that certain optical devices were necessary for the artist to achieve some of the effectsroduced By examining the changing styles of the the great masters during this 500 year A Winter Tale (Lake Emerald Chronicles period Hockney came to the conclusion that the techniues used were kept secret for good reasons economic ones for starters but also social ones and the strongresence of mediaeval beliefs that Dedication and Leadership Techniques preferred to believe in satanic influence rather than aurely mechanical device dealing with optics meant that being too open about the magical ualities achievable by various types of mirrors and eventually lenses could have dangerous and deadly conseuences Roger Bacon for one suffered by being accused of a non salutary reliance on diabolic contraptions capable of creating magic Hockney began collecting earlier 12th and 13th century texts which from today s 神様 [Kamisama] perspective are highly suggestive that special optical devices were familiar to those in the know A result of all these mindsets was that artists effectively remainedrotective and secretive about the devices and techniues they might have use for their works This further resulted in later admirers of their works developing the Romantic concept that these artists were solitary geniuses who had the gift and talent to achieve astonishing effects simply through the acuity and accuracy of their visual and manual techniues It is erhaps this latter view that roved most difficult for Hockney to counter People even today feel that using optical devices for effects somehow implies cheating on the The Full Experience part of the artists Hockney takesains to You Dont Have to Say You Love Me point out that that this is simply a misunderstanding it still reuires wonderful skill and expertise toroduce masterpieces the use of optical devices does not make this less of an achievementThe book is Voodoo Season presented in threearts The first The Walking Dead Live! part consists essentially of exuisitely reproducedaintings and drawings and their details all a joy in themselves The second Scotty Scotts Guide to Relationships part is a collection of historical documentation which suggest that special techniues were known to certaineople and that they could and were used to great effect The third art of the book resents notes correspondence faxes etc between Hockney and various experts in the fields of art art historians and. Join one of the most influential artists of our time as he investigates the ainting techniues of the Old Masters Hockney’s extensive research led him to conclude that artists such as Caravaggio Velázuez da Vinci and other hyperrealists actually used optics and lenses to create their masterpiecesIn this assionate yet ithy book Hockney takes re.
Experts in the field of optics It reads much like a detective story The discovery in articular that a 6 cm concave mirror acts Crash Landing (Bear Creek, precisely like a lens itrojects Piper pictures in the right light conditions was a break through momentHockney hasresented his arguments in this format to show that in his opinion not only did the artists of the day use whatever deceive they could lay their hand on to help them inter endeavours but also that it is obvious when one realises this fact He also opines that Photography late 19th century and nowadays digital imaging late 20th century will also The Famoux (The Famoux, provide a new lease of life forainting in ways yet to be imaginedThis book makes you look again with renewed insight and excitement into the world of the great European artists one will never again be able to view their works in uite the same way again but this is not to be taken in a negative way far from it we see these wonderful works in anew light that is both revelatory and stimulating Pointed out some necessary things for a Dragons Gap painter to realize I sort of understood in general terms that old masters usedarticular techniues to Bared for Her Bear (Wylde Bears produce some of the most realistic lookingaintings ever made but this told of those on the specific level when and why they used them and most importantly how Optics layed an important role in the development of old masters techniues and how those really shaped the reasoning and urpose of The Lone Star Groom: Bachelor Billionaire Romances painting from the 17th century ofainting to now Hockney does an excellent job of iecing together a chronology of the historical use of optics for art making most specifically in re impressionistic Crater Trueblood and the Lunar Rescue Company (Helium-3, painting This is one of the most remarkable books I can recall ever reading about any subject It is so iconoclastic and written with such authority by aerson so accomplished as a To Protect His Mate (Wolfe Brothers, practitioner in the field he examines that the experience itrovides is uniue and the euphoria it induces is realBeginning with Van Eyck and heading forward through most every Star Wars Rogue Squadron II Rogue Leader Instruction booklet painter of note Caravaggio Velazuez and Vermeer most of all they all used optics lenses specifically to accomplish the miracles they created This technology explains the bounding forward thatainting did in the Renaissance and afterwards It explains how masters like Caravaggio did what they did with no drawing and Caravaggio s sudden depiction of deep shadows laughing faces and left hand dominant subjects It explains the multiple vanishing Boom points weird bodies and white tablecloths overatterned tablecloths one finds in Velazuez And it explains erhaps best of all the mask and chandelier in Vermeer s Art of PaintingThis book is remarkable for the creative thinking it inspires about optics technology and the creative rocess itself Great bookI love controversy especially when it targets the art world when it stirs up the way we Good Morning, Buddha perceive and look at great masterful works of art when it throws a whole new massive spanner into the worksOptics or eyeballedThat is the uestionI thoroughly enjoyed reading this book I savoured it because of the artwork and the new light shining on them I still find myself todayicking it up to satisfy a looming uestion checking out uncertaintiesThe author has written a good book without long and technically soporific dissertations but with beautifully illustrated examples and to the Personal Delivery point explanationsI found I came to this via the film Tim s Vermeer and the excellence of my county libraryWell this is certainly not a book one could read on a Kindle Hockney works a compelling example of show don t tell though to be fair he does both The book opens with a long section of large format and well reproducedictures of La Viña de Naboth ,Tomo I paintings essential to and the foundation of his arguments goe. Aders on a journey of discovery as he builds a case that mirrors and lenses were used by the great masters to create their highly detailed and realisticaintings and drawings Hundreds of the best known and best loved Gettysburgs Battlefield Photographer-William H Tipton paintings are reproduced alongside his straightforward analysis Hockney also includes his ownhotographs and drawings to illustrate.
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S on to a section of select uotes from historical documents about the uses of mirrors and lenses from Roman times onward the uote from Seneca had me giggling in this age of internet Husband In Training porn indeed there is no new thing under the sun and concludes with Hockney s correspondence with various colleagues that tracks the development of his theses and this very book recursivelyThis last again allows the reader to see the ideas taking shape As a kind of early e mail Hockney and friends evidently conducted a lot of their exchanges via faxed letter speaking of the effect of technology on well everything It is not only due to the fact that most of thearticipants were trained older academics that the letters are so Live Wire (Elite Ops, polished and coherent and camera ready If the same correspondence were conducted after e mail the exchanges might well have been collouial cut up and fluid I amut in mind of the shift between mail and e mail with one of my own overseas correspondents Our Words of Radiance, Part 1 (The Stormlight Archive paper letters went easily into a later article I don t think one could do that with our later e mails or at least they d take a hellalot editing I also saw my own experience of kicking half formed ideas around with friendsaving their way for later Lauras Summer Ballet (Laura, public utterances allart of the rocess Hockney lets you see the sausages being made It also sped up the roduction of the book I expect for a busy artist who likely wanted to get back to ainting by thenThe news to Hockney assed on by his tame optical Film on the Left physicist that concave mirrors couldroduce Public Policy Making projections seemed as much news to me as to him until I reflected on telescopes and all those articles I d read for example about the 200 inch Palomar mirror being ground But I never made the last connections either Made me feel uite IvanishIn myrior exposures to art history the material mostly rolled off me this I think will stickTa L One of the best books about art because there is a specific theory directly tied to how artwork is created and then many illustrations are deployed to The Artists Way Morning Pages Journal prove the theory Topics like biography motivation symbolism etc areut to the side to focus on how artists see The discussion on drawing with camera lucida is interesting as Hockney brings up the concept that certain lines look confident but also he can see duration of time in lines which lines were drawn at certain speeds Hockney has a good writing voice but he only uses the necessary amount of text relying on the The Mob paintings themselves to show not tell The theory reframes art history the last 1000 years is the optical era and what we consider modern art Cezanne Van Gogh cubism is actually reverting to there optic view of the world Essential reading for Gentlemen Prefer Curves (Perfect Fit, photographers Interesting study into some of the techniues of the old masters It turns most of them wererobably entrepreneurial than artistic In the early 1400s there is a sudden rise of Who Killed Blanche DuBois? photo realism in Flemishainting Hockney Utopia posits that this is bc of the use of lenses and mirrors He goes on to explain how medieval artisans essentially embraced automation by obviating the need of sketching the subject they were going toaint In the O Jogo do Acaso past this was aainstaking task of eyeballing where the artist would have to employ their best draftsmanship skills to jot down t Remarkable Hockney convincingly demonstrates that starting around 1430 artists used optical devices to capture figures and landscapes realistically This accounts for distortions in The Wedding Day perspective and Caravagio like shadows because of the strong light needed to use lensesImpressionists andost impressionists wanted to do something new and so became Firefight (The Reckoners, post lens artists This is a subject that hasrofound implications for the translation of three dimensional real. Techniues used to capture such accurate likenesses Extracts from historical and modern documents and correspondence with experts from around the world further illuminate this thought rovoking book that will forever change how the world looks at art Secret Knowledge will open your eyes to how we erceive the world and how we choose to represent it.
David Hockney was born in Bradford England on July 9 1937 He loved books and was interested in art from an early age admiring Picasso Matisse and Fragonard His parents encouraged their son’s artistic exploration and gave him the freedom to doodle and daydreamHockney attended the Bradford College of Art from 1953 to 1957 Then because he was a conscientious objector to military service h