Online Pdf Hollywood V Hard Core Þ Jon Lewis – freewebdesing.com


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  1. says: Online Pdf Hollywood V Hard Core Þ Jon Lewis – freewebdesing.com review ñ PDF, DOC, TXT or eBook Ó Jon Lewis

    Online Pdf Hollywood V Hard Core Þ Jon Lewis – freewebdesing.com Lewis's exhaustive history of censorship in American motion pictures starts off with a bang as he traces how the fledgling Motion Picture Association of America allied itself in 1947 with the House Committee on Un American Activities to increase its power The truth of the Hollywood adage when they tell you it's

  2. says: Jon Lewis Ó 4 characters review ñ PDF, DOC, TXT or eBook Ó Jon Lewis Online Pdf Hollywood V Hard Core Þ Jon Lewis – freewebdesing.com

    Jon Lewis Ó 4 characters Online Pdf Hollywood V Hard Core Þ Jon Lewis – freewebdesing.com Distinctly unimpressed especially as much of his reportage bounces around between decades when looking at court cases He doesn't really succeed in stating his thesis instead producing a tract about censorship efforts and Hollywood s

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Distinctly unimpressed especially as much of his reportage bounces around between decades when looking at court cases He doesn t really succeed in stating his thesis instead producing a tract about censorship efforts and Hollywood studios rather than demonstrating how hard core films and Hollywood intersected in any kind of struggle I find the repeated claim that Hollywood benefited from the suppression of porn to be fairly specious That a concerted and futile effort was made to crush porn out of existence is undeniable the effort failed because American society wasn t generally on side with the idea as was demonstrated when video rentals and sales began and were promptly driven by porn He does make the case albeit inadvertently that Hollywood improved its product though he doesn t note that the presentation of said product was also gradually improved during the 1970s improve. In 1972 The Godfather and Deep Throat were the two most popular films in the country One a major Hollywood studio production the other an independently made skin flick At that moment Jon Lewis asserts the fate of the American film industry hung in the balanceSpanning the 20th century Hollywood v Hard Core weaves a gripping tale of censorship and regulation Since the industry's infancy film producers and distributors have publicly regarded ratings codes as a necessary evil Hollywood regulates itself we have been told to prevent the government from.

Ments to cinemas the introduction of Dolby technology and along with a renewed blockbuster mentality that became the standard after several films such as The Godfather Jaws Star Wars and Close Encounters Of The Third Kind Lewis s exhaustive history of censorship in American motion pictures starts off with a bang as he traces how the fledgling Motion Picture Association of America allied itself in 1947 with the House Committee on Un American Activities to increase its power The truth of the Hollywood adage when they tell you it s not about the money it s about the money is repeatedly confirmed as Lewis demonstrates how the MPAA which is supposed to serve as a watchdog for parents really functions to promote big Hollywood business and discourage upstart independents Lewis s chronicle of prominent skirmishes with the MPAA censors begins in the 50s with The Moon Is Blue Baby Doll. Doing it for them But Lewis argues that the studios self regulate because they are convinced it is good for business and that censorship codes and regulations are a crucial part of what binds the various competing agencies in the film business togetherYet between 1968 and 1973 Hollywood films were faltering at the box office and the major studios were in deep trouble Hollywood's principal competition came from a body of independently produced and distributed films from foreign art house film Last Tango in Paris to hard core pornography like Behind.

Online Pdf Hollywood V Hard Core Þ Jon Lewis – freewebdesing.com

And Tea and Sympathy and continues into the 60s when an X rating didn t necessarily indicate pornographic material Midnight Cowboy A Clockwork Orange The Killing of Sister George before moving into the present day Eyes Wide Shut Showgirls The MPAA doesn t come off as an evil censor so much as a money driven business concern unlike Ted Turner who apparently sabotaged the release of his own company s Crash and Bastard Out of Carolina because of his distaste for the projects Only a fraction of the book covers the few years in the early 1970s when Hollywood was actually threatened by the popularity of hardcore films like The Devil in Miss Jones and Deep Throat If there s a problem with Lewis s investigative report it s that it is exhaustively complete there is no detail too small to trace back a century making it an outstanding reference but too detailed for most general readers. The Green Door that were at once disreputable and for a moment at least irresistible even chic In response Hollywood imposed the industry wide MPAA film rating system the origins of the G PG and R designations we have today that pushed sexually explicit films outside the mainstream and a series of Supreme Court decisions all but outlawed the theatrical exhibition of hard core pornographic films Together these events allowed Hollywood to consolidate its iron grip over what films got made and where they were shown thus saving it from financial ruin.

Jon Lewis Ó 4 characters

Jon Lewis is the Distinguished Professor of Film Studies and University Honors College Eminent Professor at Oregon State University and the author of Hard Boiled Hollywood and several other books on film Librarian Note There is than one author in the Goodreads database with this name